Your imported footage is placed into bins, helping you organise yourself as you gather up the resources you need to create your project. Add any media already stored on one of your drives to Media Composer in the same way, although you have the choice of either importing the footage or merely linking to it - the latter saves space but you need to make sure that drive is kept connected in order to edit with your chosen media. If your camera records to an internal hard drive, hook it up and use the Source Browser to import the footage. If you work with a tape deck, you just connect it to your computer and log and capture the footage. Importing media is done in a variety of ways. This is where you can quickly check all the new features added with each update, from version 2019.6 onwards. It’s worth noting that when you launch the software, you’ll also notice a ‘What’s New’ section as a separate menu. Importingīefore you start, you first need to set your project’s dimensions - create projects up to 16K, or with custom height and width, which is ideal if you’re looking to build web banners, or promos for expositions for instance. Even better, saving your custom configuration as a new preset, puts it on the right hand side, just beneath the default ones. (Image credit: Avid)īut Media composer didn’t lose its flexibility from when everything was a floating window: it possible to resize and reposition the panels to suit your needs. The interface is fully customisable, and you can even save your workspace as a brand you preset which will appear on the right-most sidebar under the default ones.
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